I do focus on vegetal world for couple of months already. This is nothing new for me as I’ve been finding inspiration in plants for years. For this time things seem to bring me hapiness since I’ve returned to what I’ve done before exploring the possibilities of liquid paint technique. These days the flat surfaces of oil paint get a new addings: some sort of ornement to sublime and destroy their presence within an composition at the same time. It took me some time to understand how important the excitement of an eye is to appreciation and comprehension of a work of art. Gardens, parks, flowers in vase or plants growing in pots seem to satisfy me and my curiosity more than any other ‘object of interest’ ever did before. For my thirtieth anniversary which is to come in august I turned myself somehow naturally to these ‘subjetc and spaces’ that I was not able to explore in my early childhood due to a heavy allergies. Nowadays they bring me joy and pleasure just as does the fact of transposing them into art. ‘Aux cyprès de Villa d’Este’ was the first of this attempts to interpret a feeling of the garden and was based on the previous experience I’ve got while working on moroccan paintings such as ‘A Garden’ picturing Majorelle garden in Marrakech and ‘Secrets of Marrakech’- a view on a minaret of great mosque in Marrakesh throught the gardens that surround it in 2012 and 2015 respectivly. But quickly I’ve shifted the attention to coulours and relations between them.
In the same way as in the beginning of discovering countries in search of inspiration during my first stay Italy hit me with immense beauty and I fell in love with it’s landscapes and light Morocco, and more precisely Marrakech, has got me charmed and mesmerised me by her strange and vivid colours.
As every city around the world Marrakech as well has got her jewels hidden among red walls and dusty streets – and the most beautiful of these jewels is undoubtedly Jardin Majorelle – a landscape garden of French artist Jacques Majorelle designed in early 20th century.
Seduced by it’s colours and painting-like composition I have found lot of inspiration there. “Immediately one thinks of Henri Matisse, for we are indeed at very centre of a Matisse, soaked in colour-chilly greens, acid yellows, and hot blues,” says Pierre Bergé.
During my second stay in Marrakech I re-discovered garden in strange, hot, dusty, and very pale atmosphere that has inspired me to a large canvas ‘A Garden’ – one that pictures the painter’s villa in heavy morning light under desert white sky.