CategoryCREATIONS

Nude and landscape painting truly are two themes that seduce me the most in painting. The reason might be the fact body is some kind of reduced scale landscape, but what interest me primarily is the graphic expression in the shape of a human body once reduced to surface. Volumes never were something that excite

* Chinoiserie /ʃɪnˈwɑːzəri/ a decorative style in Western art, furniture, and architecture, especially in the 18th century, characterized by the use of Chinese motifs and techniques. (Oxford dictionary) First new chinoiseries are here! Yes, it took me a couple of months to finish them and it was quiet a work. Starting with two Chinese gods of

Moscow-affair (2010) The origin of this painting is to be found in my short voyage to Moscow in autumn 2009. This huge city left in me many impressions and I wanted to work with this russian capital as with an object for one of my paining unsuccessfully for several months. Being a fan of Louis

It took me more than a year to realise a tatooed male nude painting I was bearing in my mind since my first trip to Japan. The design wasn’t very clear hence the fact of not being able to get to the expression until I’ve met my model as well as commissioner of this painting

White paintings series was my first real intellectual effort to create a homogeneous universe using picture as a bearer of some aesthetic idea. I started to work on it in 2008 developing structural language of flat chromatic surfaces neighbouring in harmonious way and putting aside all true perspective or natural light creating volumes. My painting

Yes, I am a chronic traveler. It has been like this since my late 17 when I get abroad alone for a first time, hitch-haking from my home-country through Austria to Italy. My first travel painting dates back to this summer spent in port of Leghorn ( Livorno) and Tuscan countryside.  I was infected by

A good taste paintings are reproducing, for one the interior of Rome Musei Capitolini hall in which the Marcus Aurelius’ equestrian statue is displayed, second one shows the Michelangelo’s Hall in Louvre and another one the Room of Venetian painting in Vienna Kunsthistorisches Museum, or grand hall of Marrakesh city museum.        

The ‘Black fire’ painting dates back to 2010 when once arrived in Paris I started to look for new style, more casual and decontracted. There is a story behind: the hunk trying to get a contact with a prostitute – well, as we can see neither his face nor the prostitute it is up to

So here it is – the image of Virgin Mary with a big red heart in her hands (I think this painting is due to the a very special and authentic maltese religiousity): Maltese Madonna: I did already work with christian themes in the past and did two paintings themed similarly quiet recently, the ‘Burning

Well, here it is: Viva l’Italia! Two years ago there was a plan born in my head to work on an important male nude canvas and I took for this a picture of  quiet an ordinary  gayporn movie actor I wanted to pictue in very masculine and bossy position in the same way as old

I have always been inspired by work of Henri Matisse. Here is the pochoir work on paper infuenced by his famous Madame Matisse portrait now conserved in Copenhagen titled: La Raie Verte. The japanese influence ( quiet obvious ) is not due to any empiric far-estern inspiration but to an uknown passing-by in Paris Metro.

There is no excellent beauty that hath not some strangeness in the proportion. (Francis Bacon) Once again, I do return to my eternal questioning of the relation between understanding the cultural heritage and re-using it’s traditions in painting. Having fallen recently under the spell of some nietzschean philosophical ideas on eternel recurrence I return to